Jerez de la Frontera, Spain, 1990
Natalia Domínguez’s (Jerez de la Frontera, 1990) artistic practice delves into the material and affective relationships embedded in contemporary post-industrial landscapes. From a speculative perspective, her works construct transitional spaces and states from which to explore the subtle, contradictory, and vulnerable relationships that emerge between the human and the inanimate, foregrounding themes that reveal how our system of living entails the end of life.
