The Visual Genome and Live like you’ve never lived before are two film-works situated conspicuously between language and its failure, between the sign and its often comically disobedient referent, and between the felt and the said.

In prosper, despite a sense of crisis, Ahren Warner presents a new body of work which ranges across multiple disciplines, including film, wall-based sculpture and painting. Collectively, the work converges to explore the conflict between the alluring ideal of self-optimisation and the lived reality of our flawed selves.